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Lailonie的解構時間
書評 雜談 劇評 新手寫作 創作技法
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Table of Contents Intro Comments (0) Top sponsors
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#1
［第一期］半麻的《賽博劍仙鐵雨》
0 Likes
149 Reads
0 Comments
☰
#2
［第二期］《電馭叛客：邊緣跑者》——如何运用设定去驾驭套路。
0 Likes
100 Reads
0 Comments
☰
#3
［第二期］《電馭叛客：邊緣跑者》2/10
0 Likes
83 Reads
0 Comments
☰
#4
［第二期］《電馭叛客：邊緣跑者》3/10
0 Likes
98 Reads
0 Comments
☰
#5
［第二期］《電馭叛客：邊緣跑者》4/10令我期望破滅的一集
0 Likes
113 Reads
0 Comments
☰
#6
［第二期］《電馭叛客：邊緣跑者》5/10轉折與戰鬥描寫
0 Likes
95 Reads
0 Comments
☰
#7
［第二期］《電馭叛客：邊緣跑者》6/10具有衝擊力的高潮
0 Likes
94 Reads
0 Comments
☰
#8
［第二期］《電馭叛客：邊緣跑者》7/10讓設定成為故事的一環
0 Likes
86 Reads
0 Comments
☰
#9
［第二期］《電馭叛客：邊緣跑者》8/10破壞人物塑造而推動的劇情
0 Likes
91 Reads
0 Comments
☰
#10
［第二期］《電馭叛客：邊緣跑者》9/10全面加速的劇情
0 Likes
122 Reads
0 Comments
☰
#11
［第二期］《電馭叛客：邊緣跑者》10/10有賽博、無朋克，這是個靈魂純凈之人的故事
0 Likes
110 Reads
0 Comments
☰
#12
［第三期］《大雪海的凱納》——設定不足以支撐敘事的單薄
0 Likes
206 Reads
0 Comments
☰
#13
［第四期］ 《大雪海的凱納》——談談在不同體裁中，關於設定的思考。
0 Likes
165 Reads
0 Comments
☰
#14
［第五期］ 《海柏利昂 》——用合適的故事結構帶出設定。
0 Likes
134 Reads
0 Comments
☰


        筆者會在這里拆解一些故事的結構，包括但不限於小說、漫畫、動畫。

        比較傾向於以小說創作的思維去解析文藝作品，希望能給各位作者有所啟發。



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0 likes
Be the first to like this issue!
swap_vert
#1
［第一期］半麻的《賽博劍仙鐵雨》
0 Likes
149 Reads
0 Comments
☰
#2
［第二期］《電馭叛客：邊緣跑者》——如何运用设定去驾驭套路。
0 Likes
100 Reads
0 Comments
☰
#3
［第二期］《電馭叛客：邊緣跑者》2/10
0 Likes
83 Reads
0 Comments
☰
#4
［第二期］《電馭叛客：邊緣跑者》3/10
0 Likes
98 Reads
0 Comments
☰
#5
［第二期］《電馭叛客：邊緣跑者》4/10令我期望破滅的一集
0 Likes
113 Reads
0 Comments
☰
#6
［第二期］《電馭叛客：邊緣跑者》5/10轉折與戰鬥描寫
0 Likes
95 Reads
0 Comments
☰
#7
［第二期］《電馭叛客：邊緣跑者》6/10具有衝擊力的高潮
0 Likes
94 Reads
0 Comments
☰
#8
［第二期］《電馭叛客：邊緣跑者》7/10讓設定成為故事的一環
0 Likes
86 Reads
0 Comments
☰
#9
［第二期］《電馭叛客：邊緣跑者》8/10破壞人物塑造而推動的劇情
0 Likes
91 Reads
0 Comments
☰
#10
［第二期］《電馭叛客：邊緣跑者》9/10全面加速的劇情
0 Likes
122 Reads
0 Comments
☰
#11
［第二期］《電馭叛客：邊緣跑者》10/10有賽博、無朋克，這是個靈魂純凈之人的故事
0 Likes
110 Reads
0 Comments
☰
#12
［第三期］《大雪海的凱納》——設定不足以支撐敘事的單薄
0 Likes
206 Reads
0 Comments
☰
#13
［第四期］ 《大雪海的凱納》——談談在不同體裁中，關於設定的思考。
0 Likes
165 Reads
0 Comments
☰
#14
［第五期］ 《海柏利昂 》——用合適的故事結構帶出設定。
0 Likes
134 Reads
0 Comments
☰

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